Dispeker Artists, Inc.

Anton Belov

Anton Belov


Baritone

Since winning the Young Concert Artists International Auditions, baritone Anton Belov has expanded his career to reach major opera houses and concert halls across the United States. Recently he sang the title role in Eugene Onegin with Eugene Opera, Escamillo in Carmen with OperaBend, Verdi’s Requiem with the Anchorage Concert Chorus, and Carmina Burana with the Eugene Ballet Company. In 2017-18 he sings with Allied Concert Services.

On opera stages, other recent performances include Germont in La traviata with Opera North (NH); the title role in Don Giovanni with Vashon Opera; Angelotti in Tosca with Boston Lyric Opera; Count di Luna in Il trovatore and the title role in Eugene Onegin with Anchorage Opera; Germont in La traviata with Tacoma Opera; Escamillo in Carmen at Amherst College; John Sorel in The Consul, Maestro in Osvaldo Golijov’s Ainadamar and The Doctor / The Editor in The Nose with Opera Boston; the First Nazarene in Salome with Portland Opera; and the title role in Don Giovanni with Delaware Opera. He has also performed Marcello in La bohème in concert with the Huntsville Symphony Orchestra.

His concert appearances include Orff’s Carmina Burana with the Rochester Philharmonic Orchestra; Weill’s Seven Deadly Sins with the Detroit Symphony as a part of Carnegie Hall’s “Spring for Music” series; Beethoven’s Symphony No. 9 with the symphony orchestras of Bozeman, Charlottesville, Hartford, Huntsville, Kalamazoo, and Wyoming; Rachmaninoff’s The Bells with the Symphony Silicon Valley and the Colorado Symphony; Fauré’s Requiem and Mozart’s Requiem with the Eugene Concert Choir; and Handel’s Messiah at Avery Fisher Hall, with the Portland Chamber Orchestra, and New Bedford Symphony. He has also appeared in recital under the auspices of New York Festival of Song.

Anton Belov is the first-place winner of many vocal competitions including the George London Competition, Licia Albanese-Puccini Foundation International Competition, and the Metropolitan Opera National Council Auditions (Eastern Regional Winner). As the winner of Young Concert Artists International Auditions, Belov has appeared in over 40 recitals throughout the United States.

A native of Moscow, Anton Belov holds a Bachelor of Music Degree from The New England Conservatory, and an Artist’s Diploma and Master of Music Degree from The Juilliard School. A specialist in Russian lyric diction, he is the author of Russian Opera Libretti in Word-to-Word Translation and IPA Transcription and the Anthology of Russian Arias (Leyerle Publications 2004-06).

Eugene Opera gives jaw-dropping performance of challenging ‘Eugene Onegin’

“Anton Belov, as Onegin, lent an air of authority to the production as his ownership of the role appeared effortless and his character’s often banal actions appeared motivated and relatable. His closing duet with Jill Gardner’s Tatyana was a showcase of emotion, with both actors adeptly oscillating between love and scorn, hope and grief.”

– Alison Kaufman, The Register-GuardRelated Link

Southwest Florida Symphony season opens with blockbuster performance

“The first vocal soloist, baritone Anton Belov, was captivating in every way. Singing from memory, Mr. Belov cast a mystical spell over the audience. His vocal control was impeccable and his compelling delivery was the best I’ve seen.”

– Joseph Caulkins, Florida WeeklyRelated Link

French Ingredients, Russian Dressing

“… a baritone with a rich, mellifluous voice …

“The highlight of the evening was Mr. Belov’s powerful renditions of Trepak from Mussorgskys Songs and Dances of Death and the title characters aria from Rachmaninoffs Aleko. In Nochenka, a melancholy folk melody, Mr. Belov sounded particularly fine, singing with urgency and soulful pathos.”

– Vivien Schweitzer, The New York TimesRelated Link

Orchestral

  • Bach
    Cantatas
    St. John Passion
    St. Matthew Passion

    Beethoven
    Symphony No. 9

    Brahms
    Ein Deutsches Requiem

    Britten
    War Requiem

    Fauré
    Requiem

    Handel
    Messiah

    Hadyn
    Masses

    Mendelssohn
    Elijah

    Mozart
    Requiem

    Mussorgsky
    Songs and Dances of Death

    Orff
    Carmina Burana

    Rachmaninoff
    The Bells

    Ravel
    Don Quichotte a Dulcinée

    Weill
    Seven Deadly Sins

Opera

  • Bellini
    I Puritani (Riccardo)

    Bizet
    Carmen (Escamillo)

    Donizetti
    Don Pasquale (Malatesta)
    L’Elisir d’Amore (Belcore)
    Lucia di Lammermoor (Enrico)

    Gounod
    Faust (Valentin)

    Leoncavallo
    Pagliacci (Silvio)

    Menotti
    The Consul (John Sorel)

    Mozart
    Così fan Tutte (Gugliemo)
    Don Giovanni (Don Giovanni)
    Le Nozze di Figaro (Figaro, Count)

    Puccini
    La Bohème (Marcello)
    Madame Butterfly (Sharpless)
    Manon Lescaut (Lescaut)
    Tosca (Scarpia)
    Turandot (Ping)

    Rimsky-Korsakov
    The Tsar’s Bride (Gryaznoy)

    Rossini
    Il Barbiere di Siviglia (Figaro)
    La Cenerentola (Dandini)

    Tchaikovsky
    Eugene Onegin (Eugene Onegin)
    The Maid of Orleans (Dunois)
    Queen of Spades (Yeletsky)

    Ullmann
    Der Kaiser von Atlantis (Kaiser)

    Verdi 
    Don Carlo (Rodrigo)
    Falstaff (Ford)
    La Traviata (Germont)
    Il Trovatore (Count di Luna)
    Rigoletto (Rigoletto)

    Wagner
    Tannhauser (Wolfram)

Orchestral

  • Bach
    Cantatas
    St. John Passion
    St. Matthew Passion

    Beethoven
    Symphony No. 9

    Brahms
    Ein Deutsches Requiem

    Britten
    War Requiem

    Fauré
    Requiem

    Handel
    Messiah

    Hadyn
    Masses

    Mendelssohn
    Elijah

    Mozart
    Requiem

    Mussorgsky
    Songs and Dances of Death

    Orff
    Carmina Burana

    Rachmaninoff
    The Bells

    Ravel
    Don Quichotte a Dulcinée

    Weill
    Seven Deadly Sins

Opera

  • Bellini
    I Puritani (Riccardo)

    Bizet
    Carmen (Escamillo)

    Donizetti
    Don Pasquale (Malatesta)
    L’Elisir d’Amore (Belcore)
    Lucia di Lammermoor (Enrico)

    Gounod
    Faust (Valentin)

    Leoncavallo
    Pagliacci (Silvio)

    Menotti
    The Consul (John Sorel)

    Mozart
    Così fan Tutte (Gugliemo)
    Don Giovanni (Don Giovanni)
    Le Nozze di Figaro (Figaro, Count)

    Puccini
    La Bohème (Marcello)
    Madame Butterfly (Sharpless)
    Manon Lescaut (Lescaut)
    Tosca (Scarpia)
    Turandot (Ping)

    Rimsky-Korsakov
    The Tsar’s Bride (Gryaznoy)

    Rossini
    Il Barbiere di Siviglia (Figaro)
    La Cenerentola (Dandini)

    Tchaikovsky
    Eugene Onegin (Eugene Onegin)
    The Maid of Orleans (Dunois)
    Queen of Spades (Yeletsky)

    Ullmann
    Der Kaiser von Atlantis (Kaiser)

    Verdi 
    Don Carlo (Rodrigo)
    Falstaff (Ford)
    La Traviata (Germont)
    Il Trovatore (Count di Luna)
    Rigoletto (Rigoletto)

    Wagner
    Tannhauser (Wolfram)

Audio

Brahms: Ein Deutsches Requiem – Herr, lehre doch mich

Santoliquido: I Canti della Sera – Tristezza Crepuscolare

Giordano: Andrea Chenier – Nemico della Patria?

Tchaikovsky: Eugene Onegin – Onegin’s Aria

Orff: Carmina Burana – Estuans Interius

Orff: Carmina Burana – Dies Nox et Omnia

Beethoven: Symphony No. 9 – An die Freude

Video

Documents

Short Biography

Since winning the Young Concert Artists International Auditions, baritone Anton Belov has expanded his career to reach major opera houses and concert halls across the United States. Recently he sang the title role in Eugene Onegin with Eugene Opera, Escamillo in Carmen with OperaBend, Verdi’s Requiem with the Anchorage Concert Chorus, and Carmina Burana with the Eugene Ballet Company. In 2017-18 he sings with Allied Concert Services.

Full Biography

Since winning the Young Concert Artists International Auditions, baritone Anton Belov has expanded his career to reach major opera houses and concert halls across the United States. Recently he sang the title role in Eugene Onegin with Eugene Opera, Escamillo in Carmen with OperaBend, Verdi’s Requiem with the Anchorage Concert Chorus, and Carmina Burana with the Eugene Ballet Company. In 2017-18 he sings with Allied Concert Services.

On opera stages, other recent performances include Germont in La traviata with Opera North (NH); the title role in Don Giovanni with Vashon Opera; Angelotti in Tosca with Boston Lyric Opera; Count di Luna in Il trovatore and the title role in Eugene Onegin with Anchorage Opera; Germont in La traviata with Tacoma Opera; Escamillo in Carmen at Amherst College; John Sorel in The Consul, Maestro in Osvaldo Golijov’s Ainadamar and The Doctor / The Editor in The Nose with Opera Boston; the First Nazarene in Salome with Portland Opera; and the title role in Don Giovanni with Delaware Opera. He has also performed Marcello in La bohème in concert with the Huntsville Symphony Orchestra.

His concert appearances include Orff’s Carmina Burana with the Rochester Philharmonic Orchestra; Weill’s Seven Deadly Sins with the Detroit Symphony as a part of Carnegie Hall’s “Spring for Music” series; Beethoven’s Symphony No. 9 with the symphony orchestras of Bozeman, Charlottesville, Hartford, Huntsville, Kalamazoo, and Wyoming; Rachmaninoff’s The Bells with the Symphony Silicon Valley and the Colorado Symphony; Fauré’s Requiem and Mozart’s Requiem with the Eugene Concert Choir; and Handel’s Messiah at Avery Fisher Hall, with the Portland Chamber Orchestra, and New Bedford Symphony. He has also appeared in recital under the auspices of New York Festival of Song.

Anton Belov is the first-place winner of many vocal competitions including the George London Competition, Licia Albanese-Puccini Foundation International Competition, and the Metropolitan Opera National Council Auditions (Eastern Regional Winner). As the winner of Young Concert Artists International Auditions, Belov has appeared in over 40 recitals throughout the United States.

A native of Moscow, Anton Belov holds a Bachelor of Music Degree from The New England Conservatory, and an Artist’s Diploma and Master of Music Degree from The Juilliard School. A specialist in Russian lyric diction, he is the author of Russian Opera Libretti in Word-to-Word Translation and IPA Transcription and the Anthology of Russian Arias (Leyerle Publications 2004-06).