Jorge Federico Osorio
Jorge Federico Osorio has been lauded throughout the world for his superb musicianship, powerful technique, vibrant imagination, and deep passion. He is the recipient of several international prizes and awards, including the prestigious Medalla Bellas Artes, the highest honor granted by Mexico’s National Institute of Fine Arts.
Osorio has performed with many of the world’s leading ensembles, including the symphony orchestras of Atlanta, Chicago, Cincinnati, Dallas, Detroit, Milwaukee, Philadelphia, Pittsburgh, Seattle, and the National Symphony Orchestra of Mexico; the Israel, Warsaw, and Royal Philharmonics; RTÉ National Symphony Orchestra (Dublin), Sinfonica Nazionale della Rai (Torino), São Paulo Symphony Orchestra (OSESP), Moscow State Orchestra, Orchestre Nationale de France, Philharmonia Orchestra, and the Concertgebouw Orchestra. He has collaborated with such distinguished conductors as Rafael Frühbeck de Burgos, James Conlon, Bernard Haitink, Manfred Honeck, Mariss Jansons, Lorin Maazel, Juanjo Mena, Jorge Mester, Carlos Miguel Prieto, Robert Spano, Klaus Tennstedt, and Jaap van Zweden, among many others. His concert tours have taken him to Asia, North, Central and South America, and Europe, where he has performed in Amsterdam, Berlin, Brussels, Dublin, Düsseldorf, Leipzig, Stuttgart, and Torino.
Osorio has recently given recitals in Los Angeles (The Wallis Annenberg Center for the Performing Arts); Mexico City and Xalapa, Mexico; Aix en Provence, France; Highland Park, Illinois (Ravinia Festival); San José, Costa Rica; and Rio de Janeiro, Brazil. Other recitals during the past few seasons have taken place in Berkeley, California (Cal Performances), Boston, and Chicago, where he has appeared on Symphony Center’s distinguished Piano Series on four separate occasions. He has also given two recitals in New York City at Lincoln Center’s Alice Tully Hall, both of which were highly acclaimed by Allan Kozinn of The New York Times. North American festival appearances have included the Hollywood Bowl, Mainly Mozart, Bard, Newport, Grant Park, and Ravinia, where he performed all five Beethoven Concerti with the Chicago Symphony Orchestra under the direction of Maestro Conlon in two consecutive evenings.
A prolific recording artist, Osorio has documented a wide variety of repertoire, including a solo Brahms CD that Gramophone proclaimed “one of the most distinguished discs of Brahms’ piano music in recent years.” Orchestral recordings include Beethoven’s five Piano Concertos and Choral Fantasy; both Brahms Concertos; and concertos by Chávez, Mozart, Ponce, Rachmaninov, Ravel, Rodrigo, Schumann, Tchaikovsky, and Weinberg. Osorio’s acclaimed solo recordings on Cedille Records include Final Thoughts – The Last Piano Works of Schubert & Brahms; Russian Recital with compositions by Mussorgsky, Prokofiev, and Shostakovich; Salón Mexicano, comprising music of Mexican composers Manuel M. Ponce, Felipe Villanueva, Ricardo Castro, and José Rolon; an entire disc devoted to music of Ponce; a 2-CD set of Debussy and Liszt; and Piano Español, a collection of works by Albéniz, Falla, Granados, and Soler that received glowing reviews internationally and marked Osorio as one of the world’s great interpreters of Spanish piano music. In addition to Cedille, Osorio’s recorded work may be found on the Artek, ASV, CBS, EMI, IMP, and Naxos labels.
An avid chamber music performer, Osorio has served as artistic director of the Brahms Chamber Music Festival in Mexico; performed in a piano trio with violinist Mayumi Fujikawa and cellist Richard Markson; and collaborated with Yo-Yo Ma, Ani Kavafian, Elmar Oliveira, Henryk Szeryng, and the Pacifica and Moscow Quartets. He began studying the piano at the age of five with his mother, Luz María Puente, and later attended the conservatories of Mexico, Paris, and Moscow, where he worked with Bernard Flavigny, Monique Haas, and Jacob Milstein. He also studied with Nadia Reisenberg and Wilhelm Kempff. Highly revered in his native Mexico, Osorio resides in the Chicagoland area, where he serves on the faculty at Roosevelt University’s Chicago College of Performing Arts.
12/2021 – PLEASE DESTROY ALL PREVIOUSLY DATED MATERIALS
MODIFIED VERSIONS MUST BE APPROVED BY DISPEKER ARTISTS.